Baroque Agead

The vocal line is rhythmically free and the phrases are more irregular. The song is flexible because it is suggesting a sad and passionate farewell to the person he loves. To express this farewell, the song reaches the climax several different times and then drops away. Dido’s Lament is also accompanied by a basso continuo and has a mournful setting as well. The song opens with a descending chromatic line, the ground bass, which is repeated eleven different times throughout the piece. Dido repeats â€Å"Remember Me† several times as well also reaches the highest note of the aria. The dynamics were constant and not notated and the tempi were slow and constant. The woman who sang the song portrays a haunting and sorrowful mood for the listener. The song comes to a conclusion with a descending violin melody which expresses the tragedy. There are several similarities in these pieces. One of the main similarities is that both songs give the listener a haunting, sorrowful, distressed and sad feeling. Although one song is expressing the sorrow of a loved one’s death and the other is expressing the tragedy of one’s fate; they both put off a sad vibe. They both at one point or another reach a climax and then drop, which keeps the listener entertained and interested in the song. Tu se’ morta and Dido’s Lament are both accompanied by a basso continuo. Last but not least, the texture of both of these pieces is homophonic. The main difference, in my opinion, is how different they sound from one another because one is sung by a female and the other by a male. The deep, powerful voice of Orpheus as he sung Tu se’ morta compared to the high, thrill voice of the female who sung Dido’s Lament puts a whole new outlook on the songs. Even though both songs give a haunting feeling to the listener just the fact that one is a female and the other is male changed the mood slightly. In my opinion, it is hard to point out many differences. All in all, both pieces were interesting. The intensity of both Tu Se’ Morta and Dido’s Lament were compelling and put the listener in the exact mood that they were portraying. Haunting, sorrowful, sad and depressed was the mood I felt after listening to both. Personally, Dido’s Lament was my favorite out of the two. Her chromatic notes which created tension and stress kept the song fascinating and the want to hear more. In conclusion, both pieces were wonderful, but Dido’ Lament was absolutely amazing to the ears! Baroque Agead The vocal line is rhythmically free and the phrases are more irregular. The song is flexible because it is suggesting a sad and passionate farewell to the person he loves. To express this farewell, the song reaches the climax several different times and then drops away. Dido’s Lament is also accompanied by a basso continuo and has a mournful setting as well. The song opens with a descending chromatic line, the ground bass, which is repeated eleven different times throughout the piece. Dido repeats â€Å"Remember Me† several times as well also reaches the highest note of the aria. The dynamics were constant and not notated and the tempi were slow and constant. The woman who sang the song portrays a haunting and sorrowful mood for the listener. The song comes to a conclusion with a descending violin melody which expresses the tragedy. There are several similarities in these pieces. One of the main similarities is that both songs give the listener a haunting, sorrowful, distressed and sad feeling. Although one song is expressing the sorrow of a loved one’s death and the other is expressing the tragedy of one’s fate; they both put off a sad vibe. They both at one point or another reach a climax and then drop, which keeps the listener entertained and interested in the song. Tu se’ morta and Dido’s Lament are both accompanied by a basso continuo. Last but not least, the texture of both of these pieces is homophonic. The main difference, in my opinion, is how different they sound from one another because one is sung by a female and the other by a male. The deep, powerful voice of Orpheus as he sung Tu se’ morta compared to the high, thrill voice of the female who sung Dido’s Lament puts a whole new outlook on the songs. Even though both songs give a haunting feeling to the listener just the fact that one is a female and the other is male changed the mood slightly. In my opinion, it is hard to point out many differences. All in all, both pieces were interesting. The intensity of both Tu Se’ Morta and Dido’s Lament were compelling and put the listener in the exact mood that they were portraying. Haunting, sorrowful, sad and depressed was the mood I felt after listening to both. Personally, Dido’s Lament was my favorite out of the two. Her chromatic notes which created tension and stress kept the song fascinating and the want to hear more. In conclusion, both pieces were wonderful, but Dido’ Lament was absolutely amazing to the ears!

Victimology and Victims Advocacy Assignment Example | Topics and Well Written Essays - 1250 words

Victimology and Victims Advocacy - Assignment Example 1) Victimology Victimology is the study into the escapades and behavior of victims may have led, fully or partially, to the predicament. Victim in this case refers to any individual who goes through injury, loss or adversity due to any cause. It isan indiscriminate term that refers to any person who undergoes negative experiences. Victimology is a scientific discipline that studies phenomena and victimization related causal relationships. It includes the study of events resulting in victimization, victim’s incident, outcome and actions taken by the victim’s society to counter cases of victimization. Victimology involves the study of vulnerabilities, people responses, recoveries, precursors, organizations and cultures connected to the victimization (Doerner & Lab, 2012). 2) History and development The term Victim has its origin in numerous languages and cultures that stretched from Asia to North-West Europe. These languages had like linguistic pattern. They included Old European, Latin, Old Norse, Sanskrit and Old German. However, it is Latin that has the closest term to victim, both in terms of pronunciation and meaning. Latin’s equivalent for Victim is victima-which means sacrifice or scapegoat- and its combination with the Greek term logos gave rise to the discipline called victimology. The word ‘victim’ was used as early as1776 criminologists such as Beccaria (1764), Garofalo (1885)and Lombroso (1876) among others. It was not until Benjamin Mendelsohn (1937; 1940) that the study of victims became an independent discipline. It was still Mendelson that proposed the adoption of victimology to define the discipline through his benchmark article â€Å"A New Branch of Bio- Psycho-Social Science, Victimology† that he published in mid 20th century. He studied victims and came up with the six type typology for victims. Only one of these six types includes an innocent victim that had nothing to do to his or her predicament, whi ch he termed as the innocent. All other five types involved victims who had a part in their own harm, which he referred to as victimization precipitation. Von Hentig, credited as the other father of victimology with Mendelsohn, advanced Mendelheson theory of victim precipitation by studying homicide victims. He came to the conclusion that certain types of individuals were victim prone. The probable types of victims included the depressive type, greedy type, wanton type and the tormentor. Schafer and Wolfgang are also notable contributors to the victimology. Victim assistance program were first adopted in 1972 in the US in California and Washington states. Two years later, Fort Launderdale, Florida stated a police based victim advocate project. In 1984, the Victims of Crime Act sets up a countrywide Crime Victims Fund from the federal crime fines kitty to compensate victims. In 1985, the UN adopts the Declaration of Basic Principles of Justice for Victims of Crime and Abuse of Power, becoming the first international breakthrough on the subject. Countries have since then entrenched Principles of Justice for Victims of Crime and Abuse of Power into their constitutions, such as Japan in 2005 (Worrell, 2001). 3) Difference with Criminology, sociology and psychology The main difference between criminology and victimology is in the subject of interest. Criminology is the study of criminals while victimology is the study

The Implementation of Modern Buildings in Both Methods Research Paper

The Implementation of Modern Buildings in Both Methods - Research Paper Example According to Pauwels, et al, (2009), the adoption of cost control used in many aspects of construction and some skills are important for controlling the cost in the design processes of project construction. The skills and implements could be useful in the construction industry in optimizing the design process and provide beneficial influence by increasing the number of successful projects hence promoting the development of the construction industry as a whole. In these modern times, the competition within the construction industry is always on the increase and the profit margins are continuously reducing. This is because all the investment in respect to construction projects is done with maximal benefit as the bottom-line. In any case, the best way for construction companies to keep the high profit as well as position in the market in this dynamic environment, the best techniques and methods are employed as a cost control mechanism to the project. The cost control in the financial ma nagement aspect of construction is vital in project management in the whole life cycle of a project. The success in managing costs affirms that the by-products of ay project are financially viable and worth the trouble. Cost control is a way of expressing business plans in financial terms. This expression in terms of money dimension focusing on the project plan and is a true representation of the maximum amount of money a client has budgeted for a project. Laying emphasis on the future, they set the foundation for active control management by recognizing components of the project in need of quick corrective actions to achieve the desired outcome.